Does a movie have to be based mostly on a comic book e-book to be a comic book e-book film?
Not anymore! The style has grown to be so ubiquitous on-screen that unique flicks are snapping up its capes-and-world-domination tropes to inform new tales.
Netflix’s fulfilling “Project Power,” which isn’t impressed by any graphic novel, joins the membership with a plot about superpowers that come from taking an unlawful capsule.
Favored by thugs, the underworld drug impacts every individual in a different way for five-minute bursts: some grow to be invisible, a couple of flip into flame or ice, the unfortunate ones explode.
Yet extra comedian book-like, the movie additional facilities around a bloodthirsty vendetta, as former soldier Art (Jamie Foxx) tries to rescue his daughter Tracy (Kyanna Simone Simpson) from the similar evil drug-pushers that carried out merciless experiments on him. The heightened motion sequences have an illustrated high quality to them.
But there’s sufficient element and psychological nuance in Mattson Tomlin’s intelligent script to make “Project Power” extra intriguing than most of what Marvel and DC have to supply, even when it might barely match their catering budgets.
Early on, he meets Robin (Dominique Fishback), who’s a younger seller — and aspiring rapper — who leads him to a neighborhood provider that, in flip, reveals a plot to make a capsule with everlasting results.
Art’s thoughts, in the meantime, has been warped by his expertise, and he’s stricken by post-traumatic stress dysfunction (PTSD), shedding sight of actuality and flashing again to previous traumas. Foxx is the uncommon actor who can carry his performing prowess to genres that don’t outright demand it. Not each Oscar winner can do this.
Regrettably, Foxx and Gordon-Levitt spend lower than half the film collectively, so there is no such thing as a buddy-cop dynamic. While their characters have a mutual purpose — carry down the drug — they arrive there through separate paths.
Which brings me to a surprising twist. There isn’t actually a core villain — a giant kahuna if you’ll — however reasonably a collection of suppliers and wannabe kingpins with international accents. Frank and Art aren’t combating Thanos or Blofeld, however the drug itself and the havoc it wreaks crime, bodily hurt, crumbling neighborhoods.
In a transfer that nobody would deem in vogue in 2020, “Project Power” would appear to be a rallying cry for the War on Drugs.
And it’s a hell of much more enjoyable than D.A.R.E.